Our Neu section is all about finding the buzziest new bands and artists poking their heads above the water right now, and then telling you about them immediately.
Neu Bulletins - shared every Wednesday - are DIY’s guide to the best new music. They contain every single thing that’s been played at full volume in the office, whether that’s a small handful or a gazillion acts. Just depends how good the week’s been.
Alongside our weekly round-up of discoveries, there are also Neu Picks. These are the very best songs / bands to have caught our attention, and there’s a new one every weekday. Catch up with the most recent picks here.
Once a month, we also share Neu Recommended, our list of who’s pricking our ears at the moment and why you should be just as excited by them as we are. Featuring No Rome, Italia 90, Squid and more, here’s your next buzzy update.
Future pop from the buzzy, Dirty Hit-signed Filipino.
Continuing Dirty Hit’s penchant for firmly forward-facing signings, the Manila-based No Rome has turned more than a few heads in his short existence so far, not least that of The 1975’s Matt Healy. Across the tracks - most recently the glossy ‘Saint Laurent’ - he’s shown himself to blur the boundaries between chart-bound pop and something more leftfield beautifully, and looks destined for pretty big things.
Listen: Glossy, chart-bound new one ‘Saint Laurent’.
Similar to: Justin Bieber if he were drawn to the weirder corners of pop.
Kentucky singer-songwriter creating sad yet uplifting soundscapes.
New Saddle Creek signing Tomberlin takes a deep dive into the personal in her music. The mononym of Kentucky-based Sarah Beth Tomberlin, her recently released debut album ‘At Weddings’ is full of atmosphere, pairing twinkling guitar and lush piano sounds and on latest track, ‘Any Other Way’, she shows some of promise best with a poignant description of what it’s like to feel like you can’t quite find your place in the world.
Listen: The emotional, punch-in-the-gut sound of ‘Any Other Way’.
Similar to: The introspective, soul searching of Julien Baker via the sound of early Bon Iver.
Pissed off Londoners making brilliantly bleak ragers.
London four-piece Italia 90’s new song ‘Tourist Estate’ - recently shared on diymag.com as our Neu Pick - is post-punk at its darkest and most delicious. A wash of guitars scythe their way through the entire track, while a simple, catchy bassline bobs along behind it, and brilliantly to-the-point, barked lyrics. It follows an equally promising debut EP from last year, and adds one more name to the list of superbly exciting guitar bands in London right now.
Listen: A sharp, incisive self-titled debut EP.
Similar to: A 2010s reincarnation of politically pissed off ’80s post-punk.
Brighton bunch channeling the scrappiness of early Foals.
Brighton rabble Squid have an infectious energy about them. Existing on the fringes of math-rock, dance-punk, indie and sleazy riff-worship, their small output so far isn’t defined by genre, more a unifying sense of ingenuity and vessel-bursting energy. It becomes even clearer live; their shows are frenzied sprints defined by the same vivacity.
Listen: Raucous new one ‘The Dial’.
Similar to: LCD Soundystem, The Rapture and ‘Strange House’-era Horrors put in a blender and rocketed into 2018 at 100mph.
Jagged, brilliantly hyperactive guitar pop from Japan.
It’s not a half-hearted endeavour, listening to CHAI. From the moment new single ‘N.A.O.’ bursts into life, it grabs you by the neck and demands you sit upright for a journey through jaggedy guitars, pulsating synths and relentless, probing vocals. An LP is coming via Heavenly, and the band support Superorganism in the UK in October.
Listen: The relentless ‘N.E.O.’
Similar to: If J-Pop and intense math-rock made bedfellows.
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Squid, Hak Baker and Black Country, New Road will headline next month’s three-day event.
Anna Meredith, Talk Show and Iceage also made appearances at the buzzy East London all-dayer.
All the biggest and best tracks of the week, rounded up and reviewed.
They’ve also announced their new EP, ‘Town Centre’.