The Japanese House’s Amber Bain released four EPs before she began making her debut record ‘Good At Falling’, but its writing process was spurred on in part after the break down of a long-term relationship and the subsequent fall out of emotions that followed.
Speaking to DIY about making the record in our March issue - out on Friday (1st March) - she explains: “It’s really strange, waking up one day and all of a sudden not having to spend your day looking after someone’s feelings and making them happy. Music became the only thing I had left.”
Working with producer BJ Burton at Bon Iver’s Justin Vernon isolated studio April Base, just outside his hometown of Eau Claire, ‘Good At Falling’ sees Amber make her most confident statement yet, after years of preferring to let her music do the talking rather than herself. “The only reason the project was ‘mysterious’ in the beginning was because I was so genuinely terrified of having my photo taken,” she reflects. “It wasn’t meant to be some genderless, anonymous thing.”
For the full feature, order a copy of the March issue of DIY (or subscribe!) below.
As featured in the March 2019 issue of DIY, out now. Scroll down to get your copy.
More like this
The biggest and best tracks of the week, rounded up and reviewed.
Tonight confirms Amber Bain as a performer who finally seems comfortable in her own skin.
The Japanese House’s long-awaited debut is fuelled by death and heartbreak, but there’s a defiance to it too. We meet Amber Bain in Berlin to talk mushrooms, weird dreams and new beginnings.
A magical debut.