The key to Dear’s success is his dexterity when it comes to sound and dynamics. He writes pop songs but they are his own idiosyncratic take on what pop music is to him. Nothing ever sounds straightforward or obvious but it always manages to sound just right. ‘Beams’ opens with the six minute long tropical collage of ‘Her Fantasy’, and the mood is instantly set. Dear’s vocals are typically deadpan and almost robotic but there is a strange soulful quality at work as well. ‘Beams’ is by far Dear’s most hopeful and positive work.
Many of the tracks here are rooted in a locked and metronomic groove, be it a kick drum beat or a post punk bassline or disco rhythm. The groove remains constant throughout. This allows Dear to do what he does best and experiment with all manner or sonic concoctions over the top, the warped hip hop of ‘Get The Rhyme Right’ and the bewitching electronica of ‘Ahead Of Myself’ are particularly outstanding.
As the album progresses the relentless dance floor pulse drops slightly and the records emotive heart is revealed. The utterly gorgeous and uplifting album centrepiece ‘Do The Right Thing’ is perhaps the purest and most honest piece of music Dear has released. ‘Temptation’ closes the album in similarly rousing fashion. A woozy, almost gaseous quality accompanies a hazy piece of sun kissed dance that is indicative of an album that never fails to captivate.
It is rare for a musician previously thought of as challenging and slightly impenetrable to pen an album that is so warm and opening yet still dazzlingly inventive, however it is something Matthew Dear has pulled off to tremendous effect.
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