Floating Points: “It’s like an experiment I guess, but one that at no point shouldn’t be nice to listen to.”
Ahead of the live debut of his new album 'Elaenia', Sam Shepherd speaks about keeping his head in both the club and the classical.
Ahead of the live debut of his new album 'Elaenia', Sam Shepherd speaks about keeping his head in both the club and the classical.
It’s an indie record that can make you feel like crying, laughing and dancing in one fell swoop.
Preparing to release Trust Fund's second album of this year, 'Seems Unfair,' Ellis Jones has supermarkets on his mind.
Bombay Bicycle Club, Ben Howard and Honeyblood captivate at the one-day event.
Bombay Bicycle Club, Ben Howard and Honeyblood are among the day's attractions.
As Vek’s first work celebrates its tenth anniversary, its maker begins to look back, in conversation with Liam McNeilly.
Wolf Alice, Gengahr and Future Islands also appear.
Ahead of their Park Stage slot, the Oxford band look back on last year's Dolly Parton clash and why the festival holds a special place in their hearts.
The Vaccines, Death Cab For Cutie and Hookworms also play.
Drenge, Chet Faker and The Jesus and Mary Chain also play.
There's an incredible sense of occasion at The Coronet tonight.
Buzz doesn’t quite cover it, and it’s all on Honne to deliver on the expectation.
DIIV’s new record reflects on a turbulent few years. “It has its darker moments,” Zachary Cole Smith explains.
Frontman Felix Bushe gives DIY an update on what to expect from ‘A Dream Outside’.
Ejimiwe’s given himself an inch, but taken a mile for all its worth.
‘Glitterbug’ is a tired album that lacks invention.
Niall Galvin’s world of Only Real is taking to new heights.
Liam McNeilly speaks to Ma, who’s been there from the start - from loose concepts to unforgettable house parties.
A record packed full of ambition and imagination.
‘Ibeyi’ doesn’t quite do justice to the conceptual potency that lies within.
Ten years ago Wichita was a two-man operation without a proper office. Then they signed Bloc Party and released an iconic debut. The rest is history.
Putting on their festive hats, the DIY writers pick out their favourite Christmas tracks.
Liam McNeilly looks back on the producer's wild career, with next year capable of being his finest yet.
Perhaps, beneath the cliches that surround faceless projects like this, there is a genuine desire here for these themes to be explored from a different angle.