
New bands are new. That’s kind of in their nature. But often the sound they’re making isn’t all that new. Some people like this. It reminds them of their youth, or they simply enjoy to hear new songs of a particular sound despite that movement not having been ‘alive’ for a few years (there are other reasons also, of course). Other people don’t like this. ‘No,’ they say. ‘You are ripping off bands from yesteryear. Make something original, don’t just copy old artists, you swines,’ they scowl.
The latter of those two groups would most certainly not like ‘new’ band Joanna Gruesome for they make music that isn’t all that ‘new’. They would quickly recognise that the Cardiff five-piece make noises very similar to those heard widely in the 90’s. The fuzzy, jangly, slacker electric guitar strums combined with twee boy-girl hushed vocals - recorded with a distinct lack of care for clear sounds. They might also notice that even recently this sound has been re-touched upon by those ‘evil’ (their words, not mine) Pains Of Being Pure At Heart.
The first group, though, are likely to enjoy Joanna Gruesome. They would probably recognise that the band are clearly still in their early stages; trying to find a sound that they can call their own, whilst being influenced by and giving respectful nods to the bands (early My Bloody Valentine, Galaxie 500, Beat Happening, Dinosaur Jr, Rocketship, and countless more) that they love so dearly. Perhaps they’d also appreciate and respect the lo-fi and DIY ethics of the band, recording demos in garages and not worrying too much about sounding preened and perfect.
Although likely to split opinion, I think most will agree that Joanna Gruesome show some definite ‘potential’ (apologies for using one of the most horrid words in music writing) and that the songs - although far from perfect - have a definite lazy-sounding and enjoyable catchiness to them. It’s probably best if you just decide for yourself, though.
e.p by Joanna Gruesome
Featuring Yard Act, Death Cab For Cutie, Graham Coxon, Maisie Peters and more.
