Interview Bittersweet Symphony: Samia
On second album ‘Honey’, Samia is staking her claim to join the confessional singer-songwriter elite. “I feel like hope is the saddest human emotion,” she explains.
Embracing her distinct viewpoint, her breakthrough came with 2020 single ‘Is There Something In The Movies?’: a heartstring-pulling depiction of her disenchantment with the entertainment industry (“Everyone dies but they shouldn’t die young / Anyway, you’re invited to set”). As the child of actors Kathy Najimy and Dan Finnerty, Samia has experienced what it’s like to be inside of that world firsthand. “I witnessed people having really bad experiences at a time when I was just starting to understand the world,” she explains. “I was always really confused about why people were prioritising these things that were ultimately hurting them, and it took me a really long time to understand the mechanism of the industry and how it gets people.”
Samia has evidently taken in and learnt from these early life lessons. Surrounding herself with a supportive and loving circle as her star-power grew, she emphasises her gratitude at being involved with the indie scene and a community that doesn’t put pressure on her to be anything other than herself. However, as a young woman singing about emotional topics, she has found herself inevitably paired with the ‘sad girl music’ label. “I get why that label is so annoying to a lot of people, especially because it ends up being pretty sexist when people are just grouping women together and calling them ‘confessional’ when they’re not, and calling them ‘sad’ when their music is just not incredibly upbeat. It just proves that they’re not really listening to it,” she shrugs. “But I think, with my music in particular, it is really sad and it is also really confessional, so I never get offended by being called a ‘sad indie girl’. I get it!”
Second album ‘Honey’ embraces this ethos and drills down even further, picking the baton up from the coming-of-age situations that informed 2020 debut ‘The Baby’ and dissecting them across 11 poignant pop songs. Created during the pandemic, that time of intense reflection allowed Samia to really sit with herself and make sense of past decisions. “It was a lot harder to do this time,” she explains of the writing process, “because last time it was all so immediate and chaotic and I was drinking a lot. This time I wasn’t. I had to be very present, and thoughtful and honest.”
She highlights ‘Honey’’s closing track ‘Dream Song’ as encapsulating the thesis of the album as a whole. All about zooming in and out on certain moments in life, its lyrics “You can see it in your daughter’s eyes / That’s the purpose and the price” sit at its centre, conveying the scope of ideas that she wanted to portray. “It’s sort of a nod to it all being cyclical, and the life and death themes that are all really present on the record,” she nods. “I think that the record is, at some points, really incredibly sad and also hopeful, and I feel like hope is the saddest human emotion. That line encapsulates all of that for me, where it can be both.”
Elsewhere ‘Honey’ delivers lyrical gems that can resonate with anyone growing up. ‘Kill Her Freak Out’ hints at post-breakup anger (“I hope you marry the girl from your hometown / And I’ll fucking kill her, and I’ll fucking freak out”), while ‘Sea Lions’ deals with relationship downfalls (“I don’t wanna talk / I don’t ever wanna work it out”) and ‘To Me It Was’ reflects on the past (“How much better can anything get / Than sitting on your porch remembering it?”).
“I was trying to understand how you can be trying to broaden your perspective and think about life in this enormous way, and also obsess over these tiny things that are happening in your life,” she says. “I think that’s an experience that a lot of my friends have as well, like, trying to understand why you care about the things you care about.”
The final result is a record that feels like revisiting a teenage diary while simultaneously trying to find your place in the world as an adult. Already drawing comparisons to the likes of Phoebe Bridgers, ‘Honey’ is both personal and universal, and sees Samia diving deep into the moments that have shaped her. “I think everyone’s dream of consciousness is totally unique and sometimes the way that we talk to each other isn’t, because we’re trying to find a point of connection to survive,” she notes. “But then there’s this whole inner world that is really magical and beautiful and everyone has their own and everyone perceives things totally differently. I just love songs that are a window into that person’s totally insane unique world.”
‘Honey’ is out now via Grand Jury.
As featured in the February 2023 issue of DIY, out now.
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