Primal Scream, Mountford Hall, Liverpool

Live review

No confetti cannons needed as Primal Scream bring a career spanning party to Liverpool’s Mountford Hall

After all these years, it’s still the music that does the talking.

There’s a menacing grin on the face of Bobby Gillespie. We’re moments from the finale of Primal Scream’s set inside Liverpool’s Mountford Hall, and the frontman looks just about ready for a fight, as the group build into the climax of their riotous anthem ‘Country Girl’. But even after a flurry of era-defining anthems like ‘Loaded’ and ‘Movin’ On Up’, the biggest testament to the band is that tonight has never felt like a nostalgia trip.

That’s perhaps because Primal Scream have always thrived through subtle evolution. At the very least, last year’s twelfth studio album ‘Come Ahead’ was proof that the Glaswegian icons are still capable of bringing the party. Having survived the hedonistic highs of the nineties and their bruising, rock and roll spills of the noughties, Gillespie still remains firmly up for it.

And that sentiment is clear from the off tonight, as the band kickstart a lengthy set with the strobing ‘Screamadelica’ anthem ‘Don’t Fight It, Feel It’. Backed by shimmering gospel singers in disco ball dresses and technicolour visuals, it’s as good an introduction as any, as Gillespie stalks the stage in a white suit that wouldn’t be out of place in the golden soul era they readily channel.

Primal Scream, Mountford Hall, Liverpool

Soulful ballads like ‘Love Insurrection’ and the urgent, disco-tinged ‘Ready To Go Home’ more than hold their own alongside such classics, as Gillespie delivers some of his most potent and political lyricism in years. The most harrowing example comes with ‘Deep Dark Waters', a track which directly speaks to the society and world we live in - specifically, taking aim at the powers that be via footage of Gaza and Trump. 

There’s also room for some mid-set introspection as they indulge in a few ballads, paying homage to love and family with the likes of ‘Heal Yourself’. These cuts from the heavily-aired new record alone feel like a journey in themselves, but even Gillespie can’t help but light up as the opening sample of ‘Loaded’ signals a string of fan favourites, as he beckons: “Let’s hear it Liverpool, come on.”

It’s no wonder why Gillespie still loves playing these songs; they remain genuinely timeless anthems from a band who continue to do things their own way. No confetti cannons are needed in Liverpool tonight as we hurtle towards the finish, because after all these years, it’s still the music that does the talking for Primal Scream.

Tags: Primal Scream, Reviews, Live Reviews

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