Interview Working Bitch: Ashnikko

Working Bitch: Ashnikko

The viral sensation and modern girl power icon, advocating for pussy power one fiery verse at a time.

If you’ve been anywhere online in the last few months (and frankly, where else has there been to go?), it’s likely you’ve come across Ashnikko. Known for her electric blue hair and unfiltered lyrical style, the North Carolina-born, London-based musician hit the digital big time when Miley Cyrus lip-synced to her 2019 song ‘Stupid’ on lockdown-app-of-the-moment, TikTok, resulting in the track unsurprisingly blowing up everywhere.

“It was very surreal,” Ashnikko laughs. “For like, a month people were sending it to me, and I was like ‘YES I’VE SEEN MILEY CYRUS DANCING TO MY SONG!’ The whole thing was weird. One time I was on mushrooms and it was only on 1,000 plays or something, and my brain was like ‘This is fucking mental, this is going to be a smash’. I feel like I manifested it while I was on ‘shrooms…”

Although the ‘Bangerz’-hitmaker may have been the one to push her into mainstream consciousness, the rapper has been bubbling on the sidelines ready to strike for a while. First starting to make “really horrendous” music back when she was 15, she moved to London at 18 with the hopes of “making it” in the big city. “In my 18-year-old brain, I was like, ‘It’ll take me a year tops to be a full-time musician, so I’ll get a stupid restaurant job [in the meantime]’,” she reminisces. “I remember being so slapped in the face with reality [when that didn’t happen], like ‘What the fuck am I doing!’ But then I met loads of people in music in London because I was really annoying and forced everyone to listen to my music.”

Raised on a musical diet of iconic female artists including M.I.A, Gwen Stefani, Janis Joplin, Joan Jett, Björk, Kelis, and Missy Elliot, Ashnikko has always wanted to amplify the same strong, independent message within her own art. “I feel like I used music as a confidence booster, and it was so important for me growing into my body and my womanhood and my own opinions and feeling OK in myself,” she explains. “That’s the type of music that I want to make and that I’ve been striving to make. It’s very sex-positive, confidence-boosting music. The type of music that people can sing in front of their mirrors into a hairbrush.”

“I feel like the scene has changed so it’s more about pleasure for women, self-pleasure and independence.”

One of the leading voices in the new wave of female music icons unafraid to shake previous lyrical boundaries, her songs include fiery references to PornHub, masturbation, and, above all, empowerment . “I feel like the scene has changed so it’s more about pleasure for women, self-pleasure and independence, and less male gaze-y,” she elaborates of how she sees her position. “I feel like Megan Thee Stallion is a really good example: she’s one of the biggest artists in the world right now and the way she talks about sex is very powerful. She’s basically a musical dominatrix. Like, ‘This is for me, this is my pleasure, I cum first and I really don’t care if you cum!’. It’s definitely pivoted more towards personal pleasure and I really love that. There have been lots of women who have paved the way for the weirdos to be more - I hate the word - but ‘commercially viable’. It’s OK to be yourself!”

Teaming up with another lovable weirdo for her latest release, this month Ashnikko drops lovelorn anthem ‘Cry’ featuring Grimes. “She followed me on Instagram and I was like, ‘Oh my fucking god’,” she giggles. “I immediately messaged her like, ‘You’re my favourite’. She’s an ethereal, supernatural being through and through and she’s so sweet as a person as well which is sick. I said ‘I really want you on this song’, and she bodied it, she sounds so good.”

Full of already-classic Ashnikko lyricism including the epic line of “Fuck a fucking fuck boy”, the track precedes a mixtape set to land later this year. “It’s 10 tracks, so surely it’s an album right?” she jokes. “But no, I don’t want to commit to calling it an album because I have commitment issues.”

And what can we expect from the not-an-album-but-a-mixtape? “My last EP was definitely about my harrowing heartbreak and my anger towards my ex-boyfriend. I wrote like, 450 songs about that stupid fucker,” she says of her inspiration. “I’ll write about my friends’ heartbreak and their stories - I am a bit of a story vampire like that. But I can also write about other things beside heartbreak! I write about sex-positivity; that’s big for me. Just the orgasm of people with vaginas is important to me and my music because it’s been a very elusive concept until recently. Our orgasm is not prioritised in mainstream media or music, and I just wanna fucking cum!”

Nuff said, really.

As featured in the June 2020 issue of DIY, out now.

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