
Interview Master Peace: Ready Or Not
Now a fully-fledged Ivor Novello winner, the industry should be plain sailing for Master Peace. But, ahead of this month’s latest EP, he explains why there’s still far too much fighting to be done.
When Peace Okezie, otherwise known as Master Peace, was named as this year’s recipient of the hugely prestigious Ivor Novello Rising Star Award back in May, the 24-year-old’s subsequent red carpet conversation was loaded with the experiences of what had come before. “To get appreciated and seen for my work - for more or less the first time properly,” he noted. “It’s mad.”
Awarded to the country’s most promising songwriters (and decided by a team of songwriting experts), the win came among a year of objective successes for the Londoner. In March, he released critically-acclaimed debut album ‘How To Make A Master Peace’ - an Indie Sleaze 2.0 record that cherry-picked from the most hedonistic ends of ‘00s Britain in ways that fell right on the zeitgeist. In 2024 alone, he collaborated with Metronomy and Santigold, dance star TSHA and rapper Wale. Live, he’s a proven force who’ll round out the album cycle this month with a hometown show at Camden’s 1,500-capacity Electric Ballroom. And yet, says Peace, every victory has been an uphill struggle.
Ahead of the album’s release, he requested to be let go from his previous record deal with EMI. “I wasn’t dropped, I wanted to go. I just didn’t like it there and I didn’t think they cared so let’s not waste anyone’s time,” he says. “I’d sell out shows and do more tickets than half the artists on their roster. I wasn’t streaming well but I had fans. But then a kid can walk in and get a through ball into the stratosphere and it was like, ‘what the fuck?’. I’ve just always got to work harder and it’s been like that since the beginning of time.
“I was asking Santigold how she stays motivated and she just said, ‘This is it. This is just how it’s always been’,” he continues. “Name me one Black pop superstar in the UK right now on the level of someone like Harry Styles? There’s not one. And when you deep it like that it makes you look more into it. Same with indie music - okay, Bloc Party, cool, but who else is there? So for me, I can win an Ivor, I can sell out a tour, I can get in the charts but it’s still [very hard]. Whereas everybody else, they’re hailing them. I’ve sat down and spoken to Rachel [Chinouriri] about it and it’s like, they don’t want us to come through. We’ll give you the crumbs.”
In conversation Peace is charisma personified, delivering each answer with the kind of warm yet incredulous laugh that’s surely come from years of being proven unfortunately right. But underneath his affable demeanour, the point remains: despite cosigns from all the right corners, Peace has still found himself fighting to get a look in.
A current bugbear is with the rapid ascent of The Dare - essentially, the American electroclash counterpart to the resurgence Peace has spent the past few years trying to bring back on UK shores. Fuelled by memories of listening to The Rapture, LCD Soundsystem and MIA on the soundtrack of ‘00s sci-fi drama Misfits, with an album cover shot by iconic Skins photographer Ewen Spencer and an Adidas trackie aesthetic, ‘How To Make A Master Peace’ was the perfect party precursor to BRAT summer. “Then The Dare gets the [fast pass] and now it looks like I’m his son, whereas if you do your research then that’s my son!” he hoots, half-laughing, half-serious. “So again you find yourself thinking, ‘Why am I doing this?’ But I ain’t a victim. I come from the mud. So it goes over my head because I know what the bigger picture is.”
“Name me one Black pop superstar in the UK right now on the level of someone like Harry Styles? There’s not one.“
The bigger picture, this month, lands quite literally in the form of ‘How To Make A(Nuva) Master Peace’: an EP-shaped extension of the album that brings in a new lane of pop-leaning commercial dance to the mix. Inspired by the likes of Disclosure, Deadmau5 and even David Guetta - “but old school Guetta when he was cooking, not the rubbish we get now!” - it’s the first step of a new phase in which Peace is once more trying to jump ahead of the curve. “I’m fucking off the guitars man! Not in the way that I’m never revisiting it, but everybody makes indie now. When I came in, everybody wanted to be a rapper so I flipped it and made indie music. Now everyone makes indie music, so… “ He shrugs, by way of a conclusion to the sentence.
Having enlisted Georgia for one of his debut’s danciest cuts ‘I Might Be Fake’, the new lane isn’t a total curveball but, much like that album’s efforts to build a whole retro-nodding world, going forward the musician is similarly ambitious. If tracksuits were the uniform of LP1, then LP2, he says, will be “leather, high heels, hot pink”. “It’s gonna be very zesty, I’m excited,” he continues with a grin. “We were in the hood for the debut album, then we won an Ivor so we’ve got a little bit more money now and we’ve gotta up the swag a little bit, make it a bit more in your face. I wanna make a crazy thing and it be risky as fuck but that people will talk about forever. I’ve been obsessed with a lot of ‘80s people like [‘Super Freak’ singer] Rick James: that bad boy, curly hair swag… leather and Maison Margiela boots… that’s where the budget’s going.”
The frustrations are still more than real, but Peace is also charging ahead regardless. He tasted a particularly sweet moment at the Ivors ceremony when, stepping up to receive the trophy, he spotted his old record label on another table. “Out of all of it, them being there was banter. One of their artists was up for the same category too…” he chuckles. But as he moves forward, the main thing Master Peace wants is for Black indie artists to simply be offered a seat at the table.
“Rachel is big in my eyes right now,” he says, talking once more about his friend and peer, “but she’s not as big as The Last Dinner Party and she makes good enough music to be in the same realm. If we’re gonna give these people a chance, then give someone like Rachel a chance to really cut through and get the same love they’re getting. She just cancelled her tour because there’s no money and that’s why I go back to the frustration, because the opportunities - where there are any - are very slim.
“When you’re always getting sidelined, when you’re pushing against the grain and doing things that people haven’t done yet…” He pauses: “Nobody that’s made [the sort of] album that I’ve made has won an Ivor Novello, but nobody’s chatting about it. So what do I need to do for everyone to say, ‘Maybe he’s valid?’ I’ve got the fans, I’ve got the following. We’re over here so if you ain’t catching up, that’s fine. We’re gonna do whatever we need to do and then, when it’s time, you’ll realise.”
‘How To Make A(Nuva) Master Peace’ is out now via PMR.
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