Live
Wunderhorse make their inevitable leap of faith at London’s Alexandra Palace
29th May 2025
As they stake their claim to headline arenas, indie-rock’s buzziest quartet prove that their gritty live show has lost none of its soul along the way.
When Wunderhorse announced this headline show - comfortably their biggest to date - at London’s Alexandra Palace, it highlighted a mere glimpse of the dauntless ambition that underpins this band. Because at face value, there’s an air of humility about these four reserved, enigmatic individuals, whose combined aura almost contradicts the harsh intensity that their music carries.
Behind the scenes, however, they’ve earned this moment. Having grafted in other bands and early iterations of Wunderhorse (which used to be frontman Jacob Slater’s solo project) over the past decade, things began to properly bubble for the indie-rockers around 2022’s debut album ‘Cub’, before last year’s ‘Midas’ sent them supernova.
Kids were covering songs that weren’t even out yet. Sam Fender invited them to open his UK arena tour. They pulled the biggest crowd in the history of the BBC Introducing stage at last year’s Leeds Festival. And as 10,000 hyperactive fans trek up the Ally Pally hill for tonight’s show, it feels like their momentum is unstoppable.
For a band whose most recent album is built on the foundations of those sticky, claustrophobic gig rooms, the question now is simply: can they pull it off in an arena? Walking out to The Waterboys’ ‘Don’t Bang The Drum’, Jacob and co. unleash ‘Midas’, its restless riff cannoning around Ally Pally, living up the glory of its name. Three songs in, the soul-baring ‘Emily’ slices through the chaos, reaffirming why this Wunderhorse live show continues to be dictated by – and thrives off – pure impulse.
Sped-up versions of ‘Leader Of The Pack’ and ‘Purple’ keep both the band and audience on their toes, almost serving as the antithesis to certain pristine arena-rock productions that often grace this venue. Removing the shield of his sunglasses, raw emotion pours out of Jacob during the latter, where the long pause in the bridge gives everyone a moment to soak in the euphoria. New song ‘The Rope’ – which hits streaming services next week – follows, assuredly cut from the same, tried-and-tested cloth as ‘Midas’. Perhaps unsurprisingly, some fans already seem to know every word.
Wunderhorse’s predominantly young fanbase has become a principal characteristic of their shows, in comparison to the seasoned indieheads and ‘6Music dads’ that you might see in greater numbers watching Fontaines DC or IDLES. Although the band were forced to release a statement following “aggressive and unacceptable behaviour” at last week’s Birmingham show, there seems to be a healthy, euphoric atmosphere down the front for the majority of the night. “Don’t be afraid to move,” teases Jacob before ‘Rain’ – which briefly nods to Dick Dale’s iconic ‘Misirlou’.
Perhaps saving their trump card until last, the Nirvana-tinged ‘July’ has been itching to hang out in a room of this size, serving as the ultimate power move to end the set. While tonight symbolises a collective awareness that Wunderhorse’s stock is hitting unprecedented levels, their live show continues to be underpinned by the same foundational principles. With more arenas undoubtedly waiting as they navigate this never-ending wave of hype, such confidence and authenticity will stand them in good stead.
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