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Ultimate Painting - Break The Chain
The duo pull out the more frayed, hazy-ended threads of their debut, and ramp up the misty harmonies.
Ultimate Painting might’ve only released their debut late last year, but already Veronica Falls’ James Hoare and Jack Cooper of Mazes are back with a follow-up. ‘Break The Chain’ - the first sneak peek ahead of second record ‘Green Lanes’ - pulls out the more frayed, hazy-ended threads of their debut, and ramps up the misty harmonies.
Ultimate Painting’s canvas has always had vague flecks of 70s rock; think Pink Floyd at their most meandering, Jethro Tull at their most flute-tootingly soothing. The former seems especially pronounced on ‘Break The Chain.’ Ultimate Painting scuff through loose, untidy drum fills and noodling, cul-de-sac melodies that lead nowhere, and way out the front there’s a seventh-filled piano line providing the only sense of mild urgency. Sun-soaked, lazy and sipping on ice-cold water, ‘Break The Chain’ is in no hurry, and it’s blissfully relaxing.
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