Goat Girl hit fast and deep at sold out London KOKO
There’s more urgency in the band’s live rendition.
There’s more urgency in the band’s live rendition.
There's a few star turns in the DJ booth too, for good measure.
They may have grown up, but thankfully not too much for a good ol’ boogie.
The entire show is as slick as Douglas Castle’s riffs.
It’s undeniable that Black Honey have a sense of the theatrical.
It’s all dark and messy: this is music that improves with a moshpit.