Rina Sawayama, O2 Academy Brixton, London

Entering Brixton Academy tonight, it’s clear that the levels of both heat and adrenaline are running high. Even before the lights go down, the excitement is palpable, with the crowd roaring along to the likes of Paramore and Pussycat Dolls before the main act begins; by the time a triple - quadruple?! - denim-clad Rina Sawayama emerges centre-stage, the atmosphere’s at fever pitch. It’s little wonder as to why; over the past five years, the singer has continually risen through the pop ranks, with her sights firmly set to stratospheric. Now, with the release of eclectic but euphoric second album ‘Hold The Girl’ under her belt, there seems to be little stopping her from pop domination, and tonight is a real celebration of how far she’s already come. A show arguably more suited to the likes of arenas than the confines of South London’s most iconic venue, Rina brings out all the stops. From the wind machine that whips around her during shadowy opener ‘Minor Feelings’, to the fully-choreographed dance breaks she shares with two backing dancers, her set is a slick lesson in how to put on an unforgettable show. Split into five “acts” - each accompanied by the kind of costume changes Steps would be proud of - we’re transported to each different corner of her career so far; from the bold introduction of newer cuts ‘Hold The Girl’ and ‘Hurricanes’, to the nu-metal-ish stomp of ‘Your Age’ and ‘STFU!’, before she emerges dressed as a “couture jellyfish” - in a flowing white dress, tendrils floating behind her - for a third act that sees her soar through the epic likes of ‘Bad Friend’, ‘Send My Love To John’ and ‘To Be Alive’.