Now London-based after signing with Columbia Records, Dorset singer BeBe Black is a most intriguing proposition as she embarks on her first release proper. With an undeniable vocal ability, she is the sole constant on what is a somewhat confused release. Bebe may be yet to find her sound, but no such accusations could be angled at her voice.
With leading track ‘Deathwish’ she sets her sights firmly on the dance floor – her soaring vocal peaks calling to mind that of La Roux’s Elly Jackson. Deeper moments show a deft soulful side in BeBe’s voice as she laments “death, have mercy” in the closing breakdown, demonstrating great range. Full credit to BeBe here for managing to lift what is an unimaginative Euro-trance style backing track to a listenable level.
The pounding rhythms and playful piano-pop of ‘Bones’ comes next. It provides an amiable accompaniment to BeBe, but doesn’t allow the space for her to flourish as she can. That does come however, with the ballad ‘Don’t Leave Me’ – a classic meditation on lost love with echoes of Amy Winehouse’s nakedness and vulnerability.
The EP closes with two remix versions of ‘Deathwish’ for the club DJ’s, giving the record something of a showcase feel. When BeBe Black does find a coherent sound that makes the most of her vocal and lyrical ability however, the world will be her oyster.
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