Album Review

Carl Barât and the Jackals - Let It Reign

‘Let It Reign’ is as workaday as they come.

Carl Barât and the Jackals - Let It Reign

It’s been a disappointing decade for Carl Barât. Lumbering awkwardly from project to project in the years since the last violent chord strum of ‘What Became of The Likely Lads’, the trio of albums that he’s released post-Pete (two with Dirty Pretty Things plus a largely-forgotten solo effort) still sound extremely pedestrian in comparison to the reckless energy that defined The Libertines’ initial tenure.

True to form, Barat’s first album with new band, The Jackals, is the most worrying example to date of its creator’s curdled craft. A predictable set of up-tempo punk thrashers that seldom threaten to upend expectation, ‘Let It Reign’’s abrasiveness does little to deflect from its disappointing lack of ambition. The record’s ground-shaking volume serving only to mute the lonely whimper of man whose efforts to rewrite the past have pushed him to breaking point.

Beginning inauspiciously, the slickness of its opening salvo would, in Barât’s drug-guzzling heyday, have been deemed far too safe for consumption. Built on a bed of squalling riffs and talk of wasted opportunities, clanking lead single ‘Glory Days’ quickly reveals itself the meeker relative of ‘Bang Bang, You’re Dead’. In truth, its successor, ‘Victory Gin’, swathed in doleful trumpets and thudding drums, runs little better. “We are not afraid of anyone” insists Barât as part of the song’s disarmingly bland refrain, his vocal, angry and weaponised, easily crowded out by an insipid undercarriage of rattling guitars on the equally lacklustre ‘A Storm Is Coming’.

Of the remaining tracks that adhere to Barât’s staid rock-by-numbers approach, ‘Summer In The Trenches’, a harmony-heavy slant on the sea shanty and the pared-down acoustic sweep of ‘Beginning To See’ are the most adept at recapturing the guttural intensity of the days of yore. It’s on the tracks buried deep on its B-side, however, that ‘Let It Reign’ finally stops looking back. ‘The War of The Roses’, a percolating power-pop breeze and ‘We Want More’, complete with an ominous bassline cribbed from Public Image’s inaugural post-punk assault are rollicking glimpses at what The Jackals can do when their leader stops treating his back catalogue as a set text.

As such, there’s squandered potential here and, in years to come, of Barât will look back upon his first album with The Jackals as a missed opportunity for radical reinvention. Sadly, with the exception of the occasional surprise, ‘Let It Reign’ is as workaday as they come and little more innocuous than playing Russian roulette with a set of water pistols. Thank Heavens the Albion is back on the waves.

Tags: Carl Barât and the Jackals, Reviews, Album Reviews

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