News

Corin Tucker Band - Kill My Blues

There’s a certain urgency lacking to ‘Kill My Blues’ - Tucker seems determined to tap in to a certain rage and angst, yet still manages to sound rote and homogeneous.

Corin Tucker’s role as a beacon of feminist indie-rock cool will always be secure. Sleater-Kinney’s back catalogue still sounds fearsome and vital, not simply due to Tucker’s notoriously quavering scream, but the trio’s bass-less howling call to arms. After an extended hiatus, Tucker returned in 2010 with ‘1,000 Years’, a more muted response to her former histrionics, embracing world music dalliances and casual introspection. ‘Kill My Blues’, as the title suggests, dispenses with the inward gaze and is a full on, cathartic beast of a rock album.

That’s not to suggest it’s in the league of ‘The Hot Rock’ or ‘Call The Doctor’; it’s impossible not to compare ‘Kill My Blues’ with Sleater-Kinney’s meisterwerks, but Tucker’s (re)embracing of the punk aesthetic on this album veers closer to the stadium end of 21st Century punk rather than a grubby dive bar. This works best on ‘Groundhog Day’, the guitars fleshed out by xylophone, multi-tracking and handclaps. But the fun that pervades that song serves to grate elsewhere: ‘I Don’t Wanna Go’ lives up to its promise by outstaying its welcome, a shrill anthem which sidelines melody and texture in favour of directionless shouting.

There’s a certain urgency lacking to ‘Kill My Blues’ - Tucker seems determined to tap in to a certain rage and angst, yet still manages to sound rote and homogeneous. Instead of killing her blues, perhaps Corin Tucker needs to embrace them.

Tags: Corin Tucker Band, Reviews, Album Reviews

Your subscription could not be saved. Please try again.
Your subscription has been successful.

Stay Updated!

Get the best of DIY to your inbox each week.

Latest Issue

2024 Festival Guide

Featuring SOFT PLAY, Corinne Bailey Rae, 86TVs, English Teacher and more!

Read Now Buy Now Subscribe to DIY