Recalling a period in the earliest months of the decade when cult label Captured Tracks was king and every band (see: Dum Dum Girls, Vivian Girls et al) seemed indebted to Phil Spector and garage rock in tandem, LA Witch aren’t re-writing the rule book but they’re rehashing it pretty damn well. On their self-titled debut, the trio prowl their way through the likes of ‘Kill My Baby Tonight’ and ‘Untitled’, steeping them in fuzzy jangles and lo-fi production. A convincing first stab.
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