Album Review

Trust Fund - Seems Unfair

It’s an indie record that can make you feel like crying, laughing and dancing in one fell swoop.

Trust Fund - Seems Unfair

Following in the footsteps of fellow football-referencing indie sweethearts Belle and Sebastian, it’s two albums in the same year for Trust Fund. For a songwriter that finds influence in the most normal and human of places, it’s not really surprising to learn that ‘Seems Unfair’ had been penned before February’s ‘No one’s coming for us’ had even been released.

With its charm, scrappy naivety and, most notably, honesty, Ellis Jones’ early solo work under the guise quite naturally earned fans amongst the DIY scene in his native Bristol, and despite a full-length coming out through Turnstile, the self-produced and self-recorded debut still felt very much like a product of those roots. Whilst Jones’ enthusiasm for DIY (he’s writing his PHD on the subject right now) will no doubt continue to inform much of Trust Fund’s work, ‘Seems Unfair’ feels like a rather more distinctive step forward for this band with a fullness that comes along with the relative studio sheen.

Honesty remains intact in droves on ‘Seems Unfair’; nothing has been diluted, with Trust Fund producing yet another collection that drips with sincerity. It’s full of clever quips – both heartfelt and witty – creating a narrative that puts both a reflective and uplifting slant on often-shitty realities. “But for now we’re dreaming, there will be time to find the failings” sings Jones on ‘4th August’, and this is a record that sums up that thinking rather nicely. It’s a weird kind of temporary escapism that comes through confronting problems head on, and allows whatever troubles you’re facing to feel like a lighter load come the album’s close.

It’s an album that says a little more too. Often disguised behind seemingly tongue-in-cheek remarks – “I could never make you happy like a Dyson Airblade could” on ‘Can you believe’ a case in point – there’s an underlying questioning of bigger issues beneath the most relatable of tunes. ‘Big Asda’ might be one of the best Trust Fund tracks to date – its fuzzy guitars combining with the sweetest of melodies in signature Trust Fund style – but it’s also one of the most explicit addresses of this corporate conundrum, encapsulated on the title track as Jones ponders “Why do they make you, why do you let them?”

Sonically, it does what it sets out to do, delivering on the playful, biting riffs, singalong moments and charming, scrappy harmonies that accompany one big swell of emotion after the next. It might not seem the most exploratory of sounds and some ideas do feel recycled, but if that’s where you’re looking to seek the value in this record, then you’ve taken a wrong turning. That said, from ‘Sadness’ to ‘Jumper’ to ‘Cut me out’, ‘No one’s coming for us’ showed a potential that could be amplified with the backing of a full studio, and in many ways ‘Seems Unfair’ sees Trust Fund realising that potential to its fullest for the first time. Whichever way you look it, it’s an indie record that can make you feel like crying, laughing and dancing in one fell swoop, and for that reason alone, it’s pretty difficult to knock.

Tags: Trentemøller, Reviews, Album Reviews

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