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Cristobal and the Sea – Goat Flokk
Mixing together a range of influences from Brazilian tropicalia to Syrian pop, the band present a truly global vision.
In the 1950s and 60s, a new genre of music emerged called
‘Exotica’, named after Martin Denny’s album of the same name. Denny himself
described the genre as being “a combination of the South Pacific and the
Orient” but also that it was “pure fantasy”. That fantastical vision of exotic
lands became popular with American middle-classes, especially those who grew up
during World War II. It was an escape into paradise from the mundanity of
everyday life.
Cristobal and the Sea, composed of expatriates from
Portugal, Spain, France, Egypt and America but now based in London, are aiming
to reclaim the term on their new album ‘Exitoca’. With it, they’re repurposing the
term for those who most need it now; the many diasporas that have become
scattered across the world, and those displaced by conflict, political strife
or environmental issues.
On lead single ‘Goat Flokk’, they fuse together sounds from
across the world, much like the melting pot that ‘Exotica’ presented. Here
though, alongside the longing lyrics, we’re presented with a heady fusion of
alt conventions not unlike Everything Everything, Brazilian tropicalia and, at
its climax, an invigorating burst of Syrian pop (the Omar Souleyman vibes are
strong with this one, and that’s never a bad thing). Whereas ‘Exotica’
appropriated the sounds of the Pacific and beyond and altered them to make them
more accessible to a conservative audience, ‘Goat Flokk’ mixes its elements
together with no desire to doctor them, presenting each influence in all its
glory. The effect is a track that actively breaks down borders, presenting a
truly gloablised vision of contemporary pop music that’s thought-provoking and completely
glorious.
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