Album Review
Surfbort - Reality Star
4 StarsSatisfying fuel to power their live self, and a sparkling showcase of their wit and personality.
One would hope that to deem Surfbort an act who really need to be seen live would do nothing to diminish their recorded output. Captivating as largely a consequence of vocalist Dani Miller’s chaotic on-stage persona, there’s nothing from this third album from the New York outfit to suggest that’s likely to change. However, it’s in the less obvious moments – for an act renowned for their frenetic vintage-hued punk rock, at least – that ‘Reality Star’ twinkles brightest.
‘Jessica’s Changed’ is the runaway winner of these. There’s a wonderful juxtaposition of an imagined ‘then’ and now: the ‘90s slacker rock-via-2010s lo-fi resurgence sound that’s instead clear, crisp and almost epic in its sonic scale; the titular Jessica – a mainstay, at least from an across-the-pond perspective – of late-20th Century American teen drama; “I used to hang with Jessica / But now she’s changed / And I’m falling in love with the ghost of Kurt Cobain,” sings Dani with seemingly Gen X ennui, only before the chorus ends with a line that could really only apply to the here and now in both tone and intention: “I’m a sexy ass bitch in a world gone mad.”
The title track sits in a similar place, its reference to “quaaludes in the 1900s” sitting alongside a vocal delivery that can only be described as ‘sweet’, turning its hook of “Reality star stuck inside reality / Reality star everything you wanna be” into observational – and yet not mocking – satire. ‘Peaches and Cream’ too, talks of “banging our heads to Rock Lobster” while Dani’s vocal takes on a bored drawl. On their own, these points may seem curious to a less seasoned listener of the band, but ‘FUGOMF’ does a stellar job of marrying the two sides, as Dani’s repetitions of “It’s not worth it,” and “I feel nothing” both end by reaching a full-on scream. Closer ‘Jessica’s Changed’ is also worth a mention here, as it’s so complete a vibe shift musically, with Strokes-like guitars piercing a pure indie sleaze beat.
From a band who’ve nothing to prove – and likely wouldn’t want to feel they had to anyway – ‘Reality Star’ is both satisfying fuel to power their live self, and a sparkling showcase of a noisy outfit adept in sprinkling their on-record ferocity with wit and personality.
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