Album Review

Little Boots - Tomorrow’s Yesterdays

Dipping between moods with a devil-may-care nostalgia that delivers on its sequin-glinting, platform-shoed modus operandi.

With her last album dropping seven years ago, Victoria Hesketh’s journey under the Little Boots banner has been one of infrequent, yet ever-changing fashion since landing accolades with ‘Hands’ back in 2009. The clash of disco and electronica that topped tastemaker charts just over a decade ago remains a mainstay of the Blackpool native’s work, a growing latitude seen on her previous two records finding space to unfold on ‘Tomorrow’s Yesterdays’. The glitterball glow of ‘Silver Balloons’ and Moloko-leaning ‘Landline’ capture this enduring flex, nudging alongside the 80s pop-nodding ‘Crying On The Inside’ and ‘Out Out’ - relying on the electro bombast that helped garner early acclaim. Chic-esque tones dominate on the club-ready ‘Heavenly’, a ‘70s dancefloor banger that aligns with her involvement in the upcoming ABBA live production. Victoria zeros in on a happy medium state between the ‘90s house tendencies of ‘Working Girl’ and the straight-up synth-pop of her breakthrough years, finding strength in the Saint Etienne-riffing ‘Nothing Ever Changes’ - eclipsing the muzak-framed pace of ‘Deborah’ and a conspicuously low-key title track. Little Boots is perhaps at her most relaxed on her latest, dipping between moods with a devil-may-care nostalgia that delivers on its sequin-glinting, platform-shoed modus operandi.

Tags: Little Boots, Reviews, Album Reviews

Read More

Your subscription could not be saved. Please try again.
Your subscription has been successful.

Stay Updated!

Get the best of DIY to your inbox each week.

Latest Issue

April 2024

With Bob Vylan, St Vincent, girl in red, Lizzy McAlpine and more.

Read Now Buy Now Subscribe to DIY